Flash

Kicker Lighting with Flash

Something that can add a whole lot of interest and dimension is a kicker light behind the subjects. The great thing about a kicker is that it does not require much finesse to use, since the concept is to create sidelighting and almost blown to blown highlights.

Kickers can be used in 2 and 3 light configurations. If you have two lights, expose the scene with your main light only and use a fill card or reflector as a secondary light source to control shadow fill. Then add the 2nd light as the kicker behind the subject set to some strength that is higher than the main light. With three lights, simply expose with your main and fill, then add your kicker - again on a higher power setting than the main light.

Kickers can require a bit of tweaking to get the perfect amount of back\sidelighting, so play with its aim a bit, but generally it should sit on the floor aiming up. Another thing to consider is if the subject is against a textured wall or surface, the kicker will really help to define that texture. In conclusion, using a kicker will help to add seperation to the background, and add highlights at the edges\sides of the subjects.

Easy Event Flash Lighting

Don't run out of batteries at a wedding reception or other event as your flash struggles to keep up with your ISO speed. The idea is that if you know your photos won't ever get printed larger than 8x12 and that it is more likely that they will never exceed 6x4, even in an album, you don't need a low ISO setting.  The other consideration is that this takes place indoors, in a moderate sized place (no bigger than a hall) and works better with lots of walls to bounce off of. So here's the meat of the settings:

  • ISO 800-2000 (usually 1600 works well)
  • f/5.6-8 (5.6 is better)
  • 1/45th shutter speed (Allows ambient light fill for warm color
  • External same brand as camera flash with TTL metering of some kind
  • Use basic plastic diffuser on end of flash
  • Attach flash with same camera brand off shoe cable
  • Hold the flash above head, usually to the left, though exact direction does not matter as much

Another useful tip if you find it difficult to steady the camera holding both it and a flash then, for example, tilt your body right and rest the camera on your chest or left shoulder, holding the flash in your left hand, making a right angle with your left arm. That way you get a flat surface for your camera and elevation for your flash.